Difference between revisions of "Michael Hatt"

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'''Michael Hatt''' (born 1960) is professor of [[art history]] at the [[University of Warwick]]. He has served there since 2007, before which he was head of research at the [[Yale Center for British Art]]. He is the author with [[Charlotte Klonk]] of ''Art History: A Critical Introduction to Its Methods'' (2006), and editor with Morna O'Neill of ''The Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910'' (2010). In 2014, he co-curated ''Sculpture Victorious: Art in an Age of Invention, 1837–1901'', an exhibition at the Yale Center for British Art that transferred to [[Tate Britain]] in 2015.
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'''Michael Hatt''' (born 1960) is professor of [[art history]] at the [[University of Warwick]]. He has served there since 2007, before which he was head of research at the [[Yale Center for British Art]]. He is the author with [[wikipedia:Charlotte Klonk|Charlotte Klonk]] of ''Art History: A Critical Introduction to Its Methods'' (2006), and editor with Morna O'Neill of ''The Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910'' (2010). In 2014, he co-curated ''Sculpture Victorious: Art in an Age of Invention, 1837–1901'', an exhibition at the Yale Center for British Art that transferred to [[Tate Britain]] in 2015.
  
 
==Career==
 
==Career==

Revision as of 22:59, 28 October 2019

This article was considered for deletion at Wikipedia on October 20 2019. This is a backup of Wikipedia:Michael_Hatt. All of its AfDs can be found at Wikipedia:Special:PrefixIndex/Wikipedia:Articles_for_deletion/Michael_Hatt, the first at Wikipedia:Wikipedia:Articles_for_deletion/Michael_Hatt. Purge

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Michael Hatt (born 1960) is professor of art history at the University of Warwick. He has served there since 2007, before which he was head of research at the Yale Center for British Art. He is the author with Charlotte Klonk of Art History: A Critical Introduction to Its Methods (2006), and editor with Morna O'Neill of The Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910 (2010). In 2014, he co-curated Sculpture Victorious: Art in an Age of Invention, 1837–1901, an exhibition at the Yale Center for British Art that transferred to Tate Britain in 2015.

Career

Hatt completed his BA in art history at Birkbeck College, University of London, while working as a civil servant.[1] He later received his PhD in art history from the same institution, where he taught courses from 1991 to 2000. He then took a teaching position at the University of Nottingham.[1]

He is the author with Charlotte Klonk of Art History: A Critical Introduction to Its Methods (2006), and editor with Morna O'Neill of The Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910 (2010).

He was a co-curator with Jason Edwards and Martina Droth, of Sculpture Victorious: Art in an Age of Invention, 1837–1901, an exhibition at the Yale Center for British Art in 2014 that transferred to Tate Britain in 2015.[2] The exhibition was the first to examine the creation and viewing of British sculpture of the Victorian age[3] and was the result of new ideas that the curators had developed over a number of years about Victorian sculpture.[4][5] In a review of the exhibition for 19: Interdisciplinary Studies in the Long Nineteenth Century, Clare Walker Gore praised Hatt and Edwards for not pandering to modern taste in sculpture by including only those works that modern critics approve of, "choosing instead to showcase a broad range of works, ranging from those likely to charm modern viewers to those likely to appal, and often placing them side by side."[6] Philip Ward-Jackson in Sculpture Journal, however, criticised the curator's selection of objects and accompanying catalogue which he felt had a lack of coherence due to being jointly written.[7]

Hatt is professor of the history of art at the University of Warwick where he specialises in nineteenth-century British and American art, focussing on gender, sexuality, and visual racism. He is also interested in Danish art and the history of art history.[8]

Selected publications

Books

Edited volumes

  • The Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910. Yale Center for British Art, 2010. (Edited with Morna O'Neill)[10]

Journal articles and book chapters

  • "Thoughts and Things: Sculpture and the Victorian Nude" in Alison Smith (Ed.) (2002) Exposed: The Victorian Nude. New York: Watson-Guptill. pp. 36-49.
  • "Uranians and Imperialists", in eds. Timothy Barringer, Douglas Fordham, and Geoffrey Quilley, Art and the British Empire, Manchester University Press, 2007.
  • "Space, Surface, Self: Homosexuality and the Aesthetic Interior", Visual Culture in Britain, Vol. 8, No. 1, Summer 2007, pp. 105–128.
  • "A Great Sight: Henry Scott Tuke and His Models", in eds. Jane Desmarais, Martin Postle, and William Vaughan, Models and Supermodels: The Artist's Model in Britain, Manchester University Press, 2006, pp. 89–104.
  • "Near and Far: Hamo Thornycroft's Mower and the Homoerotics of Labour", Art History, Vol. 26, No. 1, 2003, pp. 26–55.

References

  1. 1.0 1.1 Cite error: Invalid <ref> tag; no text was provided for refs named not
  2. Shirland, J., (2016). "Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at the Yale Center for British Art, 11 September to 30 November 2014." 19: Interdisciplinary Studies in the Long Nineteenth Century. 2016 (22). Template:DOI
  3. Sculpture Victorious: Art in an Age of Invention, 1837–1901. Yale Center for British Art. Retrieved 27 October 2019.
  4. "Ferrari reviews Sculpture Victorious: Art in an Age of Invention, 1837-1901", Nineteenth-Century Art Worldwide, Vol. 14, No. 1 (Spring 2015).
  5. Previews First Look: ‘Sculpture Victorious: Art in an Age of Invention’ at the Yale Center for British Art, Interview with Martina Droth, Apollo, 6 September 2014. Retrieved 27 October 2019.
  6. Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at Tate Britain, 25 February to 25 May 2015. Clare Walker Gore, 19: Interdisciplinary Studies in the Long Nineteenth Century, 2016 (22). Template:DOI
  7. Review: Sculpture Victorious. Art in an Age of Invention, 1837-1901. Philip Ward-Jackson, Sculpture Journal, Vol. 25, No. 2 (1 May 2016). Retrieved 27 October 2019 via questia.com Template:Subscription required
  8. Cite error: Invalid <ref> tag; no text was provided for refs named wa
  9. Review of Art History:
  10. Reviews of The Edwardian Sense:

External links

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